Netflix’s adaptation of The Sandman is very faithful to Neil Gaiman’s film, despite the fact that the story is very problematic. Showrunner Allan Heinberg and producers David S. Goyer and Gaiman have adapted the original 16-issue comic into 10 seasons that, while not perfect, strive to do justice and to maintain the original spirit.

Sandman still tells the story of a dream, played by Tom Sturridge, a dream king who was imprisoned by the magical people at the beginning of the series. After escaping decades later, he must restore order to the dream world while fighting the chaos that caused his world and the waking world when he left. One of the notable changes at the start of the series was to update the date of Dream’s escape from the late 1980s to the present, setting the rest of the story in 2021 – and some flashbacks, of course.

But that’s not the only way Sandman differs from its source material. Here are five ways Netflix’s Sandman is different from the comics.

Also, read “Which Heroes And Villains Black Adam Defeated In DC Comics?” If you have any interest in DC comics.

The Storyline Of Sandman Differs Source From The Original Comic

Sandman Season 1 follows the first 16 issues of the comic, including the arcs of “Prelude and Nocturne” and “Doll’s House.” It usually takes the “one question per episode” format but it’s only 10 minutes long and some of the storylines have to go.

In some cases, this works better than others. Episode 4, titled “Hope in Hell,” follows a dream trip to Hell to find the helmet; to add to the dramatic tension, this episode includes a travel story, post-Hope in Hell comic, in which John Dee (David Thewlis) escapes from a mental hospital in search of the ruby ​​of his dreams. Having this story play out at the same time gives us a strong A-plot and B-plot, as our protagonist and antagonist hunt down Dream’s magical device to taunt the show. is inevitable.

Episode 6, “Voice of His Wings,” is an ineffectual attempt to add comedy to the novel. The first half of the episode is a very faithful adaptation of the comedian of the same name, which sees Dream and Death (Kirby Howell-Baptiste) walking and talking about people. The second part of the program is a very faithful adaptation of the 13th issue of The Lucky Man. There, we learn about the dream meeting of a hundred years old immortal Hob Gadling (Ferdinand Kingsley).

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In an interview with Geek’s Nest, Heinberg and Gaiman said that one of the most exciting parts of the adaptation was that they were able to show the Sandman that didn’t happen on the page but was still an important event. In the comics, for example, we never see Hal in drag because Gaiman explained that comics aren’t the best for comedy. The show took the opportunity to find something new and ran with it, incorporating several Hal figures into the show and featuring Hedwig and Angry Inch writer/director/star John Cameron Mitchell as Ross Walker’s drag host. .

Another great addition is the final conversation between John and his mother Ethel Cripps (Jolly Richardson) in episode three of the show. In the movie, Ethel dies in a book and leaves John her amulet. In the show, Ethel immediately gave the amulet to John, then died on screen as the protection ended. Before that, we also had an enlightening conversation between him and John about dreams. This helps establish John’s drive, which is very useful because…

There Is No Original DC Tie-Ins Because Sandman Differs from Source

It may not be up to the standards of Justice League, but Sandman is still a DC comic. For example, John Dee was incarcerated in Arkham Asylum along with Batman villains like the Scarecrow. He is also the guardian known as Doctor Fate, who has played many evil shenanigans in other DC movies, his appearance is scary and painful, scary. The Sandman series ditches this approach, instead focusing on tweaking back and forth with John as a human.

The Corinthians Again

One of the best and best ways The Sandman differs from its source material is how it introduces the nightmare known as Collins (Boyd Holbrook) at the beginning of the story. The show made a wise decision from the beginning to make him a villain. From his conflict with the dream in his first episode to his replacement of Rose and Jed in the deadly convention, he is clearly the main antagonist this season. His actions in the film include the Doll’s House arc, which works well as we move from one issue to another. However, with the TV series going away, it’s nice to have another thread we can follow while watching. In addition, Collins’s encouragement of the worst human impulses makes it a good thing to dream about.